![]() ![]() ![]() The enhanced meta-instruments appear at bottom.įor more on what’s new, check out Neil Bufkin’s terrific video interview for CDM with Renoise’s Dac from NAMM, seen at top. Renoise’s new Pattern Matrix, a different take on how to view music, alongside the more traditional tracker view. Thanks to its recent support for ReWire (plus JACK on Linux), it also doesn’t mean you have to sacrifice what you love about your host of choice it can be part of your existing workflow. What it could do is expand Renoise’s already passionately-loyal user base to a new crowd, and encourage users to find expressive new ways of producing music with computers at a time when some of those processes have become stale. None of these additions is like to make Renoise a mainstream hit, but then, that’s not the point. Enhanced MIDI mapping, internal effects, more.Render Plug-ins to instruments, samples – the resource-saving advantages of freezing tracks, but without sacrificing any playability.Smarter signal routing across tracks and through “meta devices,” along with clever inventions like the “Signal Follower,” give you sidechaining and more.The Pattern Matrix finally combines the inside-out precision of tracker arrangement with a big, birds-eye view of your music – and some people are already hacking it into a live performance instrument.The modern take on a tracker now introduces a set of features that takes it to a new level of usability: Renoise 2.5 is here, for real – not a beta, a nice, golden, final release. I have a few other features I'm going to start on but I wanted to get this set exposed and hopefully into the wild soon.“It looks alien at first, it looks scary … it’s like, here’s your paper be creative.” “A tracker basically turns your computer an instrument.” -Dac Chartrand, Renoise, trying to explain Renoise to those who haven’t yet gotten religion Please give a :eyeglasses:, test, and provide any feedback. An enhancement to this could be for the normalization and trimming to happen in the same thread per sample. The reason for this is to prevent the Normalize and Trim threads from running on samples at the same time. The same is true for when the check-box states are reversed. * When the "Normalize and Trim samples after recording" option is enabled, "Process in background" will be disabled. * I did not set out to change the the look and feel of the Tool, only changed the GUI as needed to accommodate features added. To that end, I'm positive I added a few things that work but can be done a bit smarter (see how checkbox enable/disable control is being handled) * I did my best to optimize but my goal wasn't necessarily a full blown smell-removal exercise. * Moved some of the view elements around to accommodate the new naming features. * Changed the color of button ON state so it's easier to distinguish on/off ![]() * Fixed bug where G# was enabled by default instead of G * Normalization and trimming can be set to run automatically after the sampling job has completed. * Naming things can be hard, the tool now features an "auto-name" button that generates random names * Quickly add hardware name, sound tag (pad, drum, keys, etc.) to the instrument name This PR adds the following features to the Tool: First, thanks for starting a great Renoise tool! I hope you welcom … e collaboration. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |